Sentence examples for classical suite from inspiring English sources

And Garretts's song was like a bombastic "modern classical" suite for orchestra, choir and leaf-blower.

But the "Mermaid Avenue" project was merely the kickoff for a songwriting binge that has found Guthrie collaborating from the grave on Hanukkah songs with the Klezmatics, on punk-rock anthems with the Dropkick Murphys, on German cabaret numbers with Wenzel, on Delta blues with Corey Harris, on Texas campfire songs with Joe Ely and Jimmie Dale Gilmore, and on a classical suite with David Amram.

In design this is a Neo-Classical suite, complete with a march, lullaby and waltz.

Mr. Perle's "Six Études," composed in the mid-1970's, and his "6 New Études" from 1984, which are like a Neo-Classical suite, all employ his uncompromising yet elegant 12-tone language.

Following his breakthrough with What's Going On, an "experiment in collating a pseudo-classical suite of free-flowing songs", Gaye used his artistic control to modify the sound and incorporate funky instrumentation, melismatic vocalization, and heavy vocal multi-tracking, in much contrast to the established production style at the label.

But this violinist's versatility really stood out during Stravinsky's two Neo-Classical suites for small orchestra, performed earlier.

For one thing, almost a quarter of the neo-Classical rooms are suites with lake views.

Experimental results on a classical benchmark suite validate the proposed approaches.

The first season of "Breaking Pointe" revolved around the preparations for a triple bill program, featuring Jiri Kylian's "Petit Mort," George Balanchine's "Emeralds," and Marius Petipa's classical showstopping suite from "Paquita".

Most of it is a fastidious delivery of what had been passed on as Petipa's choreography: the great centerpiece classical-ballet suites in each act made "Beauty" into the supreme achievement of 19th-century ballet and the seed-head for the 20th-century classicism of the choreographers George Balanchine and Frederick Ashton.

Musical forms are blurred through the use of extended sections and of musical interludes that bridge separate sections together, which results in classical-style suites.