"classical stories" is correct and can be used in written English.
You can use it any time you want to refer to stories that are from or considered part of the classical period. For example: "I plan to make the subject of my research paper classical stories from ancient Greece."
In a study published in Psychological Science entitled, "Can Classic Moral Stories Promote Honesty in Children?", Lee poses the question about what classical stories can help instill honesty into children.
He frequently transposed biblical and classical stories to rural American settings, as in "Susanna and the Elders" (1938) and "Persephone" (1939).
Modern mythological fiction also often fails to convey that the classical stories explicitly reinforced existing social hierarchies, a kind that are unpalatable today.
Although Pu lived and died as an obscure provincial schoolteacher, his work gained fame when it was first printed some 50 years after his death, inspiring many imitations and creating a new vogue for classical stories.
Of course if there are French legal precedents supporting Pierre Hugo's case, there are many more examples in the history of literature of writers' reworking classical stories and recasting universal characters, from Antigone to Ulysses, from Don Juan to Faust.
To this day, it's one of Lynch's best movies; as such, it's also evidence that Lynch himself is a victim of his times—his ideal calling would have been as a studio director, applying visionary artistry to such a varied range of classical stories that his sensibility would expand and deepen.
Coppola was searching for a classical style to fit his classical story.
He claimed that Godard's experiments were ill suited to the material: "People expected to see a nice, classical story.
The director's audacity is precisely in his storytelling, in his bringing a relatively classical story to life by distinctively cinematic means — images, gestures, movements, details.
Ms. Weese still prefers the neoclassical style at City Ballet, where works by Balanchine and Jerome Robbins are the norm, not full-length classical story ballets.
The theme is the classical story of Phaedra, the queen who falls passionately for her stepson Hippolytus – as told by Euripides, Seneca and most famously Racine.
