Sentence examples for classical illustrations from inspiring English sources

Exact(1)

It was during the late Momoyama and early Edo periods that a canonical body or stock of standardized referent classical illustrations began to coalesce.

Similar(59)

The experience of sub-Sahara African countries under the US African Growth and Opportunity Act apparel trade incentive is used as a classical illustration of this proposition.

Building upon classical methods, illustrations for modeling bimodal behavior are developed from data from diverse materials used in various applications.

Apabi Tupianku (image) database Chinese images in the categories of Chinese art, calligraphy, folk art, red (i.e. socialist) art, unearthed objects, old photographs, ancient design, modern graphic design, historical costumes, rare book illustrations, classical painting manuals, typography, and pattern design.

Classic, classical.

The print The Sea Monster might look like a classical myth, an illustration of Ovid.

Complete Fall Preview listings: Theatre Art Night Life Dance Classical Music Movies Illustration by Ulla Puggaard Every season, the Goings On About Town editors pick their favorite events from the upcoming months: the plays due to hit the city's stages, the best pop and classical concerts, the museums and gallery shows, the dances, the movies, and the rest.

Whelan, a 1991 Laguna College of Art & Design graduate, is known for his classical style of illustration for magazines and books, such as "Alice in Wonderland" and the Nancy Drew series, and numerous others for major publishers.

These early works create a surreal art-history pick'n'mix, from illustrations of classical sculpture to old black-and-white photography, and similar forms are echoed from work to work.

But the book, and its wide variety of illustrations from classical texts, science fiction and other sources, describes not just the history of the celestial body but the ways it inspired the human imagination to take flight, fueled, as Proust put it, by "the ancient unalterable splendor of a Moon cruelly and mysteriously serene".

Rohmer had already published brilliant and seminal works of critical theory (notably, "Cinema, the Art of Space," "For a Talking Cinema," and "We No Longer Love the Cinema") and Godard was on the verge of publishing a crucial manifesto of his own ("Defense and Illustration of Classical Découpage," from 1952).

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