Sentence examples for classical dimensions from inspiring English sources

Exact(5)

Although Mr. Tesich, who died at 53 in 1996, was best known for screenplays ("The World According to Garp," "Breaking Away"), he was obsessed by themes that brought to light the classical dimensions of contemporary drama.

There's even an element of physical endurance in the movie's inevitable but sweetly tender romance, between Adonis and his neighbor Bianca (Tessa Thompson), a singer who's just beginning to edge upward in the Philadelphia music scene and who's facing a medical crisis of classical dimensions.

The prevalence values obtained for the study sample according to the classical dimensions were high, although within the expected range.

Origin had weak correlations with all of the classical dimensions (valence, arousal, and dominance), which may suggest the independence of this scale.

Comparing the results of the international adaptations of ANEW (and wider word list construction), we may conclude that there is only one universal relationship between the three classical dimensions: a boomerang-shaped Valence × Arousal distribution.

Similar(55)

They outlive the vernacular and the topical, retaining their classical dimension.

If the cinematic century and its attendant iconography informs Reel, the book also has a classical dimension.

Blanchett's performance in the film owes as much to the screwball antics of Lucille Ball as it does to the classical dimension Geoffrey Rush spoke of when describing her debut performance in Electra.

Talking about this movie on the way out with other journalists, I discovered that some felt its final-act cosmic fluke was what gave the movie its classical dimension.

Both the backhaul minimization objective and the constraints associated with each of the carriers (low maximum radiated power and low number of users connected simultaneously) require a novel methodology compared to the classical dimensioning techniques.

He starts by introducing a family of discrete spaces \(E_{n,m}\), where \(n\) corresponds to the "classical" dimension of space and \(m\) is a scale factor, to be understood as follows: \(m\) is a parameter to decide when two points are or are not adjacent, which is the basic (and sole) concept of his geometry.

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