Sentence examples for classical cues from inspiring English sources

Exact(1)

Unlike classical cues that are highly localized and regulated to ensure precision in spatial guidance, this activity-dependent, glial-based modulation is more dynamic.

Similar(59)

But at 960 feet, 1 World Trade Center has begun to make its presence felt in the sweeping, classical, cue-the-Gershwin panorama from the Brooklyn Heights Promenade.

In a recent study (Gunduz et al. 2011) covert visual attention was studied with electrocorticography (ECoG) using a classical cueing task.

Although Sanchez' original drumming takes up 50percentt of the score, it was deemed ineligible by the Academy after a lengthy appeals process for its use of pre-existing classical music cues.

Understandably so: Last year, the academy disqualified the soundtrack to Iñárritu's best picture winner, "Birdman," on the grounds that the percussion-heavy score by Antonio Sanchez was supplemented by classical music cues.

The present study sought to examine the possible mechanisms of this own-body-size effect by isolating the role of the multisensory experience of owning a body from the mere use of classical visual cues.

or Theatre?" comprises seven hundred and sixty-nine gouaches that Salomon chose and numbered from a total of twelve hundred and ninety-nine; transparented and foverlaysnsparent oferlays of text; a narrative of thirty-two thousand words; and multiple classical-music cues.

And so Allison Blackwell drifts along the upper layer of the two-tiered set (by Justin Townsend), performing "Summertime" in classical style, cuing Joplin's highly personalized version of the same song.

In this allegorical account of the rise and fall of an ancient classical civilization, with cues, Ms. Novak suggests, from the landscapists Claude Lorrain, J. M. W. Turner and John Martin, Cole expressed his ideas about the relationship of civilization, a man-made project, to nature, one conceived by the divine.

Mutations affecting classical neuronal guidance cues (Netrin, Semaphorin, Slit/Robo, Ephrin) or adhesion molecules (cadherin, IgCAM) had, at best, weak effects on the M1 axon.

In avoiding psychology and presenting the actions of his characters as rough and opaque blocks of life, he also avoids the psychological pointing and plot cues of classical studio-era filmmaking.

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