Sentence examples for classical circle from inspiring English sources

Medieval masons found that there was a more efficient form for the arch than the Classical circle.

Overall, the GPU exhibits better scalability and much greater parallel performance to become a solid alternative for computing the classical circle Hough transform versus those optimal methods run on emerging multicore architectures.

This paper deal with the analogue of the classical circle problem in the hyperbolic plane; that is, we count the number NΓ s, z) of translates of a base point z by a Fuchsian group Γ, which lie in a geodesic ball of radius s about z.

The flutist James Galway and pianist Barry Douglas achieved tremendous success in classical circles, while the compositions of Elaine Agnew found a following outside the country.

Her vocal style and talents were not universally approved of in classical circles, but they were most certainly distinctive, once described as 'part oboe, part clarinet'.

In classical circles, a performance of Bach's Goldberg Variations by a rising-star pianist like Igor Levit would be enough to compel attention.

He also instigated the jazz course at the Royal Academy of Music, an area of study common in such institutions now, but highly controversial in classical circles at the time.

While Alan Gilbert, the music director of the New York Philharmonic, is known in classical circles as a clotheshorse with impeccable taste in formal wear, he gamely put on a bright-orange National League jersey for the second half of the Major League Baseball's All-Star Charity Concert in Central Park on Saturday.

Elements of the film were undoubtedly selected with western appeal in mind, however: cast members with international recognition; a score by cellist Yo-Yo Ma, well known in western classical circles; fight sequences by Yuen Wo-Ping, who now carries the suffix "of Matrix fame".

A composer, writer, poet, painter, and MacArthur Fellow, the British-born Hough's reputation long ago moved beyond classical circles, making him an unlikely crossover star.

In 1958 New York's classical music circle was still dominated by established composers, critics and tastemakers who had their own conservative agenda to promote.