Sentence examples for classic sequence from inspiring English sources

Events in Poland in recent months have reversed this classic sequence.

Turns three to five take their lead from the classic sequence of high-speed esses of Maggots, Becketts and Chapel corners at Silverstone in Britain.

Greengrass gives us a classic sequence, popularised by Aaron Sorkin in TV's The West Wing: the walking-down-the-corridor shot in the Commons, flanked by advisers: it is dynamic, purposeful.

The evolution of horses from the tiny "dawn horse" (Hyracotherium, formerly Eohippus) to the present form is a classic sequence, knowledge of which has played an important role in evolutionary thought.

Sequels and prequels were everywhere, with Rose Tremain returning to the hero of Restoration in Merivel (Chatto & Windus), Irvine Welsh revisiting Trainspotting territory for Skagboys (Jonathan Cape), and Alan Garner – a mere 50 years on – concluding his classic sequence of children's novels with the adult volume Boneland (Fourth Estate).

Examining cartoons from a musicological perspective, Goldmark does frame-by-frame readings of such works as "What's Opera, Doc?" Occasionally, this approach seems overserious, but it helps explain the artful mechanics behind a classic sequence like that of Elmer Fudd chasing after Bugs while wearing a Viking helmet and singing "Kill the wabbit" to Wagner's "Walküre" leitmotif.

Working with the cinematographer Wally Pfister, Nolan does pull off some classic sequences in "Inception".

There are some classic sequences and a fine performance by Hermione Baddeley as the raucous old music-hall performer who is on to Pinky's bad intentions.

But the "classic" sequences from the past are rendered in a simpler, blockier style – effectively a three-dimensional approximation of the illustration in Saint-Exupéry's original book.

But the film is so visually compelling that a viewer seems to have entered a mythic night world; no Hitchcock thriller was ever so intense, went so far, or had so many "classic" sequences.

The hacker sends the material, in fragments, to Hank, and, as he sorts through the mesmerizing rubble — partial scenes of terror, exhilaration, torture, and death — we're reminded of classic sequences from Antonioni's "Blow-Up," Coppola's "The Conversation," and De Palma's "Blow Out," in which the evidence of a crime lies buried in visual or aural hash.