Sentence examples for classic compositions from inspiring English sources

(They're paired with classic compositions by the Polish modernist composer Krzysztof Penderecki, whose work exerts a clear influence on Greenwood).

"I often use quite classic compositions in my work because I want people to be comfortable with what they're looking at," Warner says.

Then Mr. Heath will lead the Lincoln Center Jazz Orchestra with Wynton Marsalis in new arrangements of classic compositions and an alto saxophone concerto premiere.

The classic compositions at Maser were succeeded by paintings with a tendency to monumentality and with a love for decorative pomp, as in The Marriage at Cana, executed in 1562 and 1563 for the refectory of S. Giorgio Maggiore.

What happens, though, if a director doesn't direct your gaze in familiar ways, shuns classic compositions on the one hand or fast cuts and close-ups on the other, plays with or disrupts narrative norms?

They combine tributes to Derbyshire (a sinister rendition of her robots' march, Ziwzih Ziwzih OO-OO-OO) and their own classic compositions with brand new pieces written by Limb, Howell and Ayres based on original RWS themes.

In part, this is Friedlander's fault: his signature style undermines all notions of classic composition and tends to thwart the casual viewer.

So in his new book, "Understanding Composition," when he describes the rule of thirds, a classic composition strategy, he prefers to call it the suggestion of thirds.

Loreley's sausage platter comfortably feeds two for $15; it's a classic composition of three kinds of wurst, mashed potatoes and shreds of red cabbage simmered in vinegar, the perfect counterpoint to meat and potatoes.

The Blade Runner soundtrack by Vangelis is a dark melodic combination of classic composition and futuristic synthesizers which mirrors the film-noir retro-future envisioned by Ridley Scott.

As a composer as well as an animator and artist, the juxtaposition of a classic composition designed to teach the Baroque-era basics against post-WWII art and musical notation is exactly the kind of tongue-in-cheek collision of contexts we've come to expect from Warburton.