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Once the classifier has been trained, it is used to assign input features to a particular class of emotion.
Figure 16 Stability test of the GMM emotion classifier for male gender; obtained scores (upper set of graphs), and finally determined class of emotion (bottom set); feature set P3, N gmix = 6, N iter = 1200; tested sentence expressed by the male speaker in neutral and emotional styles.
Figure 14 Influence of limited length of feature vector on stability of the GMM emotion classification process; obtained scores (upper set of graphs), determined class of emotion (bottom set); feature sets P3_8, P3_12, and P3_16, N gmix = 6, N iter = 1200; tested sentence expressed by the female speaker in joyous style.
Figure 15 Influence of incorrectly chosen GMM model of gender type on stability of the emotion classification; obtained scores (upper set of graphs), determined class of emotion (bottom set); feature set P3, N gmix = 6, N iter = 1200; tested sentence expressed in neutral speaking style by the male speaker (left two graphs), and by the female speaker (right graphs).
Figure 17 Stability test of the GMM emotion classifier for female gender; obtained scores (upper set of graphs), and finally determined class of emotion (bottom set); feature set P3, N gmix = 6, N iter = 1200; tested sentence expressed by the female speaker in neutral and emotional styles.
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There are at least four main modifications involving Brentano's view of mental phenomena, especially Brentano's tripartite classification of such phenomena into representations, judgments, and phenomena of love and hate (or emotions [Gemütsbewegungen]): (1) Meinong's first deviation consists in dividing up the class of emotions into the classes of feelings [Gefühle] and of desires [Begehrungen].
According to forms of sentimentalism that limit their FA theory to a core class of emotions, sensibility theory exaggerates the interdependence of these responses (such as fear, amusement, disgust, shame, and the like) with their associated value properties (the fearsome, funny, disgusting, shameful, etc).
B. Titchener, 1908, 1927; R. Reisenzein and W. Schönpflug, 1992; D. Fisette, 2013) At issue was whether the nature of pleasure provided by an object such as a work of art, for instance, is intentional, as was the case in Brentano's theory wherein it is closely related to the class of emotions, or phenomenal as in Husserl and the sensualist theories of James and Mach.
Tenfold cross-validation testing was performed for six and seven classes of emotion on the CK+ dataset.
A recognition accuracy of 97.2% was achieved for seven classes of emotion using a person independent testing scheme.
A recognition rate of 91.1% was achieved for seven classes of emotion using a sevenfold cross-validation testing scheme.
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