Sentence examples for clashing form from inspiring English sources

Exact(1)

In the second act Phyllis, Ben, Buddy and Sally sing and dance out their wintry discontents in fantasy sequences that use clashing form and content to parallel the differences between cheery then and somber now.

Similar(59)

It combines the serenity of Edward Hicks's "Peaceable Kingdom" paintings and the clashing forms and piercing eyes of Picasso's "Demoiselles d'Avignon," a work that they surely influenced.

The façade, unusually for Gehry, is made of a single material: instead of a jumble of clashing forms, the glass is all you see, covering everything like a blanket.

3.40pm: With the quarter-finals looming from Friday, Paul Wilson has cast his mind ahead to the Germany v Argentina game to analyse the key clashes, form and more.

Product Clash has a broad library of products that registered users can clash with each other or users can also submit their own product descriptions and technical specifications via the "Submit your Clash" form.

It would seem as if there's a culture clash forming, between those who Pinterest-prep their dream day, and others who condemn it with the fire of a thousand suns.

We learned that the state is young, having joined the Union in 1907, that its main economic good fortune came with the discovery of oil, and that its climate tends toward wind and extremes of temperature and humidity that, in clashing, can form severe storms and tornadoes.

In both cases, the clash between form and content lends the poems vividness and potency.

More significant, however, Mr. Gehry's towering composition of clashing, undulating forms is an intriguing attempt to overturn a half-century's worth of failed urban planning ideas.

The excitement comes at the front of the site, with two striking designs — Helmut Jahn's Veer Towers, a pair of condominium buildings that, as their name suggests, slant five degrees in opposite directions, as if passing each other in a hurry; and Libeskind's shopping center, known as Crystals, made up of clashing, angular forms.

In Singing in the Dark (Carcanet), Brackenbury employs the seemingly simple English ballad (invented, more or less, by Wordsworth, and later favoured by the likes of Auden and Edward Thomas) to grapple with knotty modernity - a clash of form and content that carries the risk of wistfulness but, at its most effective, throws up compelling antitheses.

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