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Its clashes of dissonance and color sound weird even to 21st-century ears tempered by Wagner and Bartok.
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Nearly all the time there's loads of dissonance — either from weird intonation or from purposefully clashing lines — but it doesn't make the music pointy and icy.
There are other points of dissonance, too.
But it has a great deal of dissonance.
It was slightly spicy, in terms of dissonance.
Its use of dissonance felt less icy and more playful.
After Wagner, dissonance, particularly dissonance caused by chromaticism, largely ceased to function as it had in traditional harmony, and composers created their own individual, often experimental, usage of dissonance.
From then on the pileup of dissonance in Schoenberg's music became so pronounced as to make the concept of dissonance itself meaningless.
On the interpretation of dissonance literature, see Gawronski & Bodenhausen (2011).
An action‐based model of dissonance is presented.
There is a titanic outburst of dissonance.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com