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The documentary and the rough rehearsal demos make the same point: The Clash worked fiendishly hard to be magical.
He was right: somehow the transition from Xenakis's elemental howl and shred to Mr. Ziporyn's shimmering culture clash worked.
A per-site average of more than $10,000 is deemed to be solid, so all those articles on the classification clash worked.
The Clash worked right up to the last minute on their magnum opus – the music was recorded in the autumn of 1979, the iconic cover shot taken that September, the mixing completed in November, and the album came out globally a few weeks shy of Christmas on 14 December.
Before coming to Forbes, Clash worked as an account director at such New York as Grey Advertising, Ally & Gargano and FCB-Leber Katz. FCB-Leber Katz
Clash worked with and mentored the puppeteers of Sesame Street's international co-productions.
In 1999, Clash worked on a film starring Elmo, The Adventures of Elmo in Grouchland.
Clash worked in various productions for the Muppets and Jim Henson Productions and in other projects.
Clash worked on the film version of Teenage Mutant Ninja Turtles, which was dedicated to Henson, in 1990, voicing Master Splinter.
When that happens, the lack of an established, neutral way of resolving such clashes works to everyone's detriment.
Flat broke after a series of management wrangles, the Clash were working quickly to make up lost ground.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com