Sentence examples for cityscape as from inspiring English sources

The winning design will belong to the cityscape as surely as the buildings that are eventually constructed around it.

So it's easy to think that the process of photography should reproduce a cityscape as well as it reproduces a landscape or a portrait.

At present, this collection includes 185 black & white images of the Palace at Gedi, the Great Mosque of Gedi, the Kongo Mosque, the McCrindle house, and the Lamu cityscape, as well as other Kenyan sites.

Jolin wanted to bring out the beautiful and the genuine in the cityscape, as well as restore, what he considered to be distorted parts of the city, to their former glory.

Patrons can climb stairs to reach different parts of Cloud City for different points of view on the surrounding cityscape, as well as the piece itself, which reflects varying vortexes of light from its surface.

Lawns have a significant influence on the cityscape as one of the essential elements of green spaces and an important part of people's everyday lives.

With water and the cityscape stretching as far as the eye can see, the West Lake acts as something of an urban beach for local residents.

In his strangely calm, neo-Precisionist paintings of color-coded computer wiring, basement duct work, rooftop cellphone relays and a vast cityscape -- as well as in an absorbing animated video projection -- Mr. Alfred responds mournfully, fearfully and euphorically to the technological sublime (Johnson).

Yet no building has exerted such influence on Australian cityscapes as Orica House on Melbourne's Eastern Hill – its everyday inconspicuousness attests to the ubiquity of the form it pioneered.

They have transformed cities. Rumbling generators outside homes and other buildings -- previously nonexistent -- and thickets of wires as dense as a jungle canopy have become as much a part of Iraq's cityscapes as blast walls and checkpoints.

Late in his career, Demuth began to paint advertisements and billboards into such cityscapes as his Buildings, Lancaster (1930), in which bold, commercial lettering is complemented by the severely hard-edged abstraction of buildings.