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Ian makes circle paintings.
LARCHMONT Mamaroneck Artists Guild "Homage to the Circle," paintings and prints by Gerda Roze.
In 1977 the Guggenheim Museum in New York held a much-acclaimed Noland retrospective, with a neat correspondence between the circle paintings and the spiral ramp.
Their crosshatched paintings, done on the bark of eucalyptus trees, are less familiar, however, than the "dot and circle" paintings by the people of the central Australian desert that are widely associated with the term Aboriginal.
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Of Mr. Noland's concentric-circle paintings, he wrote in Art International: "His color counts by its clarity and its energy; it is not there neutrally, to be carried by the design and drawing; it does the carrying itself".
In fashionable art-world circles the paintings of David Bates are considered conservative if not reactionary or, at best, guilty pleasures, if they are considered at all.
Gottlieb's journey leads from 1930's representational pictures that resemble those by his friend Milton Avery to the gridded pictographic works of the 40's to the iconic circle and burst paintings of the late 50's, which have been his most memorable works.
His journey leads from 1930's representational pictures that resemble those by his friend Milton Avery to the gridded pictographic works of the 40's to the iconic circle-and-burst paintings of the late 50's, which have been his most memorable works.
The artist scrapes paint off old paintings, draws circles with his eyes closed, and deflates soccer balls for the sake of conceptual art.
In the paintings, the circle and the pod combine to form rudimentary human figures that become characters in a narrative.
Oppenheim was quickly absorbed into the Surrealist circle and exhibited three paintings at the Salon des Surindépendants in Paris in 1933.
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