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Bran Nue Dae's cinematography, from the late and great Andrew Lesnie, comprises a hyper-coloured palette bordering on Day-Glo.
Moorhouse's film bounces around like a pogo stick, careening between genres and mood, bound by its cast and postcard perfect cinematography from veteran Donald McAlpine.
Imbued with lovely cinematography from Katie Milwright, there is enough of that – light – in The Space Between, literal and otherwise, to provide a reasonably fulfilling experience.
There is praise for Pfister's cinematography from HitFix's Drew McWeeny, but only by way of contrast with the film's "dumb" script.
He graduated from the University of Washington and received a master's degree in cinematography from the American Film Institute in Los Angeles.
As usual, she ornaments her didacticism with some attractive trim: there is handsome cinematography from Declan Quinn, a vivid palette and some memorable music, notably a thrillingly beautiful Sufi song from Fareed Ayaz and Abu Muhammad.
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The James Bond franchise had every reason to feel Bafta didn't like it having only ever won one award in its 50 years, best cinematography for From Russia With Love in 1963.
The glorious cinematography ranges from ingenious framing, to static camera setups from mid distance that watch a scene play out, to the quixotic use of archival footage.
The colors in Jeff Cronenweth's cinematography change from Harvard crimson to the electric pink of a San Francisco night club.
But Mr. Dosunmu, working from a sensitive script by Darci Picoult and immeasurably aided by Bradford Young's vibrant and sensual cinematography, departs from the conventions of the immigrant's tale in ways both subtle and emphatic.
And its palette of emotions, like its rich and somber 35-millimeter cinematography, departs from the hand-held, hi-def, discursive style associated with directors like Joe Swanberg and Aaron Katz, harking back to an older, artistically more conservative film tradition of lush, earnest melodrama.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com