The phrase "cinematographic work" is correct and can be used in written English.
It refers to a film or movie that has been produced using the art and technique of cinematography. Example: "The festival showcased a diverse range of cinematographic works, from classic Hollywood blockbusters to independent arthouse films."
As Ehrlich reports, France's official movie-theatre trade group has criticized the selection, arguing that an online release would "call into question their nature as a cinematographic work".
The most important distinctive trait of the visual educational work of the Isotype institute was, next to the design and publication of books, the engagement in cinematographic work.
Works that may be copyrighted include literary, musical, artistic, photographic, architectural, and cinematographic works; maps; and computer software.
Replete with intertextual references and cinematographic staging techniques, these playwrights' works treat contemporary problems but approach them more playfully than their socially committed predecessors.
The work is marked by cinematographic techniques, flashbacks, interior monologues, and language from all levels of society, showing influences from many non-Spanish literatures.
Then again, to be more generous to sentimental films, we should perhaps consider them as works of idealisation, the cinematographic equivalents of the idealised landscape paintings of Claude and Poussin.
The concert ended with David Crowell's cinematographic and Minimalist "Open Road," an inspired work that evoked Mr. Crowell's frequent road trips out West.
In the 2006 documentary "Manufactured Landscapes," the filmmaker Jennifer Baichwal follows in Burtynsky's footsteps and observes him at work to film — with a cinematographic sensibility to rival the photographer's style — places that the developed world ravages and overwhelms with factory production and fabricated waste.
Cukor was renowned for delegating much of the cinematographic detail to his cameramen, but he worked with many different ones throughout his career, and in all of his films the decisive moments are dominated by the long take.
Les Aventures de Robinson Crusoé is an adaptation of Daniel Defoe's classic novel, and while it features trick photography, pyrotechnics and elaborate set design, they are here put to work in telling the story, rather than for their own colourful sake: this, Méliès said, was a "cinematographic play" rather than a series of "fantastic tableaux".
He doesn't bring much personality to his work or have an obvious signature, save for a penchant for roving cameras and his appreciation of Ms. Ronan, one difference being that in this movie his cinematographic restlessness works for the story.
