Sentence examples for cinematic source from inspiring English sources

A screening at Anthology Film Archives in 2012 resolved a mystery that had been plaguing me since the eighties: the cinematic source of the little ditty that gets sung in a movie — which turned out to be Gregory La Cava's comic drama "Unfinished Business," from 1941 (which I discuss in this clip).

By Richard Brody October 1, 2015 A screening at Anthology Film Archives in 2012 resolved a mystery that had been plaguing me since the eighties: the cinematic source of the little ditty that gets sung in a movie — which turned out to be Gregory La Cava's comic drama "Unfinished Business," from 1941 (which I discuss in this clip).

The show continues to capture the pace, feeling, and savagery of both the first season and its cinematic source material.

Erasing the spectator's suspension of disbelief, the Body Double series not only alters the viewer's experiences of Dellsperger's own videos but also the viewer's relationship to the cinematic source material.

Erasing the viewers' suspension of disbelief, the Body Double series not only alters the viewers' experiences of Dellsperger's own videos, but also their relationship to the cinematic source material.

Scholarly and cinematic sources dot Marisha Pessl's first novel, Special Topics in Calamity Physics (Viking £16.99, pp528).

Sherman herself has been coy about naming all but a few cinematic sources for her work--Alfred Hitchcock, Sophia Loren, David Lynch.

According to film historian B. D. Garga, the film also shows influences from other Western literary and cinematic sources, including the novel Blood and Sand (1908), and the films The Mark of Zorro (1920), Robin Hood (1922), The Thief of Baghdad (1924) and Ben-Hur (1925).

Back when Leonard Maltin's books were the public's only source of cinematic stats, film-makers were free to craft perfect resumés for themselves, beginning with their first hit and ending with their last.

I was talking yesterday about the glories that emerged, almost daily, from Hollywood in the nineteen-fifties (which made that decade, for that matter, a richer source of cinematic treasure than the vaunted post- Bonnie and Clyde" "New Hollywood" of the late sixties and seventies).

It's proof that, even if he hasn't seen as many movies as have many cinema-studies professors or critics, he has a wise and keen grasp on some of the best and most powerful (and not exactly the most heavily publicized) work of recent decades — and, in particular, on a director who overtly and even angrily repudiated cinephilia as a source of cinematic artistry.