Sentence examples for cinematic method from inspiring English sources

Denis's approach is to take on reality from a variety of angles – she refracts real experience with a cinematic method that always seeks to conceal more than it reveals.

In what has become the preferred cinematic method for addressing complex social issues — see also "Crash," "Traffic" and "Babel," among others — Mr. Linklater's film tells multiple stories, which radiate like spokes from the hub of a central theme.

Chubbuck's story is an obvious choice for an exploration on the big screen, given her intentionally dramatic and even cinematic method of suicide, which inspired the screenplay for 1976 news anchor meltdown movie, Network.

Rohmer's cinematic methods were similarly extreme and similarly contradictory.

This paper proposes a cinematic technique-based method for teaching urban design studios to improve students' appreciation of the connection between the human cognitive-sensorial system (the human sensorium) and the environmental qualities of public spaces (the urban sensorium).

He worked chiefly with Russian dramas, in which he combined cinematic with theatrical methods.

But in terms of its cinematic means and methods, it belongs to an older, predigital world.

In so doing, they recognize and reflect the changing modes of cinematic art, politics, methods, business, and culture — and if they do so in a way that often seems more modest, more circumspect, or more local than those of their artistic forebears, it's because they have reflected on those works and perceived their limitations and implications (and those of their era).

In so doing, they recognize and reflect the changing modes of cinematic art, politics, methods, business, and culture and if they do so in a way that often seems more modest, more circumspect, or more local than those of their artistic forebears, it's because they have reflected on those works and perceived their limitations and implications (and those of their era).

Loriga's method is cinematic ellipsis - he co-wrote Pedro Almodóvar's Live Flesh, and the film-maker calls him "a fascinating cross between Marguerite Duras and Jim Thompson".

Based on intensive research and innovative production methods, his cinematic worlds and speculative scenarios present creative advances in architectural representation and design.