Sentence examples for cinematic conception from inspiring English sources

The past in the present, the future in the present — the essence of the great documentary is in the cinematic conception of time, the disjunction between the real time of filming and the times that it implies.

The past in the present, the future in the present the essence of the great documentary is in the cinematic conception of time, the disjunction between the real time of filming and the times that it implies.

There he grew close to an aging and lonely neighbor, the great Danish film director (and explorer of religious themes) Carl Dreyer — one of the sources, the sculptor says, of this cinematic conception of the stations, which among other things move in and out from wide to medium shots and close-ups.

The British Wallander is far more stylised and cinematic in conception.

That's cinematic invention.

By contrast, Kieron Walsh's "Rough for Theatre I" is clever and resourceful, featuring memorable performances by David Kelly and Milo O'Shea and an acute freeze-frame ending.Beckett's less polished sketches seem to liberate cinematic ingenuity, where his more developed conceptions of theatricality can prove resistant to adaptation.

A companion idea, Gangsterism and Goofy Visions of New York, shows Dalí's conception of the dissolve as a cinematic equivalent of the doubled images seen in his paintings: where a canvas might twin the crouched figure of Narcissus with a hand holding an egg, here one composition would fade into another over time.

Perhaps there is no such experience, perhaps the 'succession of static snapshots' conception of experience, as proposed by the Cinematic antirealist is correct.

But DuVernay's conception of the L.B.J.-King pairing suggests another cinematic lineage.

But his leaps never felt abrupt: fidgeting strings, chattering percussion, a flatulent trombone and a cinematic gallop in triple time coexisted peaceably in his playfully surreal conception.

But in his feature narrative debut, filmmaker Müjdeci goes deeper, for a cinematic work that he admits, "is its own child -- not an immaculate conception but a film that gives birth to itself slowly, along the ride".