Sentence examples for cinematic account from inspiring English sources

A parade of prosecution witnesses — many of them still struggling with their wounds — provided a gripping, almost cinematic account of the attack in which 13 people died and dozens were wounded.

"No Easy Day" amounts to a cinematic account of the raid to kill Bin Laden: you feel as if you're sitting in the Black Hawk as it swoops in, peering through the greenish haze of night-­vision goggles, wending up the stairs to Bin Laden's lair.

In "War at The Wall Street Journal," Sarah Ellison has written a definitive, indeed cinematic, account of the News Corporation's conquest and occupation of this venerable business publication, and of the subterranean battle of motives and moods in the Bancroft family psychodrama.

Above all, however, the movie's failure is due to more than any particular dramatic omission; it's due to an over-all (and fairly common) misconception regarding both screenwriting and direction the failure to take into cinematic account the essential differences between nonfiction and fiction.

Also, in most cinematic accounts, zombies don't suffer from moral failings; rather, they have contracted a virus or been exposed to some environmental toxin (for an extended literary treatment, see "Zombies Are Us: Essays on the Humanity of the Walking Dead").

The rest is cinematic history. .

Blending film clips, performance footage and archive interviews with theatrically staged contemporary conversations, Oil City Confidential is a thrillingly cinematic, often heartbreaking account of friendships forged and lost in the muddy wash of the so-called "Thames Delta".

There have been more restrained performances of "Le Martyre de St. Sébastien" than Leonard Bernstein's with the New York Philharmonic from 1962, but it's hard to resist the cinematic vitality of his account.

With cinematic heavyweights like Martin Scorsese accounted for — and Woody Allen and Terrence Malick in the conversation, if not in the room — and star wattage from George, Brad and Meryl, cachet and glamour should be easy gets.

What accounts for this continuing cinematic fascination with the Jesuits, especially now, with the first Jesuit pope, and an increasingly progressive Latin American at that?

Clearly, a more general account of viewer involvement with cinematic characters and the films in which they appear is required.