Although the entertainment industry tends to focus on projects that go the other way – from small screen to film, such as the recent Entourage and The Equalizer, and the forthcoming Man from UNCLE – cinema to TV transfers have been an everpresent feature.
Elisabeth Moss, however, delivers steaming, real-deal intensity in Alex Ross Perry's Queen of Earth (Eureka, 15), a clammy, claustrophobic and wholly arresting study of female friendship gone haywire that makes a swift transfer from cinemas to DVD.
Saturday Night And Sunday Morning was written in 1958 and its transfer to the cinema helped made a star of Albert Finney.
Subtitling is only one of the forms of language transfer in television, cinema, and video.
My interpretations of these good moments are just a transfer to the cinema industry.
It was directed by his son, Simon, and was an example of another facet of Telluride, which celebrated its 30th anniversary: the transferring of a cinema tradition from the old guard to the new.
Ever since Hollywood realised it was possible to take an established small-screen property and transfer it to cinemas for vast financial gain (even the first Flintstones movie made an impressive $341m£202m2m) worldwide), some pretty unwieldy ventures have hit the multiplexes.
His Romeo and Juliet at the Old Vic during the Sixties invented a new way of performing Shakespeare - rowdy, physically vital, a challenge to prissy English elocution - which he transferred to the cinema when he cast Elizabeth Taylor and Richard Burton in The Taming of the Shrew and Mel Gibson (a prince unafflicted by philosophical doubts) in Hamlet.
Following its cinema release, the film was transferred to VHS in 1991 in a pan and scan edition.
If there's a seeming thinness in the modern cinema, it's due to the transfer from the symbolic to the representational.
