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But the post-Paradiso scramble for foreign-language cinema saw across-the-board imposition of corporate thinking.
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Everyone saw.
Rosa saw.
Hicks saw.
My cinema?
(Quad Cinema).
Ah, that old saw.
Specifically: is it a masterpiece of confrontational cinema, stunningly shot, wonderfully acted; or is it a piece of misogynist nastiness, an expression of fear about female sexuality, with no greater purpose than the Saw or Hostel films?
A saw buzzes nearby.
I think everyone saw.
This Mosby saw.
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