Songs with no chorus, songs with codas and shifts in rhythm, the magic of the bridge that never returns.
According to the original score published by Doremi Music Publishing, it is composed in the key of B minor and in the common verse-chorus song structure with a tempo of 110 beats per minute.
It scales back to self-contained verse-and-chorus songs.
Because this music doesn't involve form in the way verse-chorus songs do, I have a hard time pinning down the variables.
A chorus sings Sad song sad song sad song sad song.
Everything is in service of a larger-than-life chorus, each song a vehicle for anthemic catharsis.
If cellphones aren't being waved from the balconies by the end of the chorus, the song isn't working.
At the chorus, the song features the R&B singer Jeremih singing with sweetness and ambition, channeling Bruno Mars and Adam Levine.
Same chorus, different song.
After the final chorus, the song launches into an extended coda a la "Hey Jude".
After the second verse and chorus, the song features a break down influenced by house music.
