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"Come, ye daughters," sing the chorus over a churning, darkly surging orchestra, "help me lament".
He is not, of course, a disinterested judge, but I have heard things from the chorus over the last year that make the argument at least plausible.
It begins with wordless vocalizations in the chorus over thin harmonics in the violins that evoke the static electricity filling the air on the morning of the storm.
Nash wrote the first two verses and the chorus, over a rough sketch by Stewart that was nothing more than slow, trashy drums and a keyboard line.
On the current single, "Lean Wit It, Rock Wit It," the members call out the chorus over some wobbly, eerie synthesizers.
In the two-line chorus, over a James Brown sample, Ice-T spits, contemptuously, "You played yourself / Yo, yo, you played yourself".
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It's a familiar one -- in fact, it's the plot of "42nd Street": an unknown is plucked from the chorus, takes over the lead and becomes a star.
It is written from the perspective of a chorus of over-lookers, as if they have a birds-eye view of a sandbox filled with the characters and their cities.
We had seen one after another of our friends' children--charming children of parents who parse Greek texts or write long metafictions set in the eighteenth century--sunk dumbly in front of a television set watching a man in a cheap purple dinosaur suit sing doggerel in an adenoidal voice with a chorus of over-regimented eight-year-old ham actors.
I can't write the Sheryl Crow sorta song, where the chorus gets repeated over and over.
In "Borderline," which features one of his loveliest choruses over a swift series of chord changes, he sang, "And the soul chokes to cause the tide to enforce divide — this whole devotion has morphed in time.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com