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But the in-group secret, shared by seemingly every one of the 20,500 delirious fans inside Quicken Loans Arena, is that the chalk toss is only one part -- albeit a defining one -- of a much more complicated choreography of actions that James must perform before the Cleveland Cavaliers tip off.
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The complex choreography of the action sequences in his films owes a clear debt to the Hollywood musical, with its integration of rhythm, movement and colour.
Although Mr. Nichols's choreography of the action is not dissimilar to that of Lindsay Posner's current and terrifying London production, he makes no effort to replicate its blood-curdling, locked-room atmosphere.
The nonstop, undulating choreography of narrative action is enough to give you motion sickness, and the simplification and exaggeration of every person into a stereotypical caricature is tediously monotonous when not outright offensive.
Wading through the light dusting of ash that covers every surface, a squad of hollow-headed dolls sleepwalks through a mysterious choreography of pointless action while the film's puppet hero struggles to make sense of a world in which the screws in the floorboards appear to be engaged in some form of conspiracy.
To be free from a strict choreography of words and actions is a form of male privilege that Hillary Clinton cannot access.
Sharkey said that some uneven performances and lack of refinement were the result of RZA's lack of directing experience, but appreciated the choreography of the "extreme action" and the film's visual aesthetic, which she described as "a blend of French Baroque and ancient China".
But such exaggerated artifice has been carried off better before, in the production design of "Dick Tracy," the action choreography of "300," the dialogue of "Kill Bill".
The show works best when action — and the choreography of violence is exquisite and unrivaled — is married not to words but to compelling characters who go beyond easy Tom Clancyesque caricatures.
The film is so visually breathtaking that the characters seem to be obeying a choreography of forms and shadows rather than the impulses of action or emotion.
The sculpture works like a giant puppet, its actions controlled by a complex choreography of cables.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com