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Here "Alphabet Mystery" shows its didactic roots: each letter chooses an object starting with its sound.
A student chooses an object from a curator's collection, then uses digital media to express his "passion" for that artwork.
To bring quantifiers into the same style, he proposed that the game G(∀ x φ(x)) proceeds thus: player ∀ chooses an object and provides a name a for it, and the game proceeds as G(φ(a)).
Likewise, perceivers may conclude that Sarah has a particular fondness for oatmeal cookies by applying the rule that if someone freely and consistently chooses an object (e.g., oatmeal cookies) over comparable alternatives, then that person likely prefers that object (Kelley 1972).
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The user begins by choosing an object from a randomly generated gallery.
With his ready-mades, beginning in 1914-15, he claimed the right of anyone to become an artist by choosing an object and putting it in a gallery.
A pull quote with an article in which several writers chose an object that summed up their childhood highlighted this sentence: "I faked a stigmatism – before the internet!
They were also to choose an object and stare at it while running on a treadmill and to breathe in sync with their steps.
It seems fitting that Harvard's resident fungi specialist with a passion for trees should choose an object that combines both of these interests.
Next, choose an object from history — whether an artifact of a fascinating era, an invention that changed history, a work of art that intrigues you, or anything else — and research it.
So famously, people are more likely to choose an object that lies on the left-hand side of a visual array than an object that lies on the right-hand side of that visual array.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com