Sentence examples for choice of frame from inspiring English sources

When these two conditions are satisfied, it seems we should accept the choice as rational, even though it is ultimately based on a choice of frame that was not fully rational.

It is obvious from the above equation that the throughput depends on the appropriate choice of frame size L, given the number of tags N in the interrogation range.

Results indicate that the responding architects find concrete the most suitable frame material in buildings of 3 8 storeys, mainly because of the performance of concrete with regards to the engineering aspects (e.g. stability and fire safety) that were considered important in the choice of frame material.

This effect dictates a tradeoff in the choice of frame rate, as sufficiently high frame rate is needed to capture speckles in regions with a high v y component, while sufficiently low frame rate is needed to allow for speckles to move a number of pixels in the x- z plane order to minimize digitization noise in the velocity measurement.

The identities of Svenson's neighbours, who are rendered with a soft, painterly effect, are obscured, and the choice of framing also leaves a sense of mystery.

That has long been a fiction, one that traditional news media needs and insists on, even as scholars highlight that journalists reveal their biases through everything from small facial twitches to choice of frames and topics of interests.

As the choice of framing and the duration of FDG infusion are related, it is impossible to give general recommendations.

Data for the system NaF-AlF3Al2O3 sat) NaF-AlF3Al2O3 satof one ion with respect to all others, and tNa+ is discussed for several choices of frame of reference.

I keep thinking about this scene where a student returns home to find his parents waiting up for him ― something that could have had the mundane directing choices of framing each character individually.

"She has the faith and the belief that an association of ideas that's concise and that is based on pure cinematography — the choice of a frame, a focal point, the climate of the light — says something, and the idea that gluing those images together is going to create a sense".

Therefore, in the four-dimensional picture, the decomposition of spacetime into hypersurfaces of absolute simultaneity is independent of the choice of inertial frame.