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And if you have those dreaded reading charts, how do you cope?
In the first half of the book, Rutherford charts how we came to be.
Mr. Jacobson charts how the lurid, almost pornographic idea of Nazi lampshades has percolated through popular culture.
Atkins's work charts how people can "melt," almost without noticing it into new moods or forms, or into each other.
Olympic Britain, out today, charts how the world the Olympians of 1908 knew would seem unrecogniseable today.
The novel charts how the opium dens of Mumbai gave way in the 1970s to heroin addiction.
It charts how it's shifted their expectations of what romance would be like and what constitutes falling in love.
Every time you hop on a lift and scan your pass, the app charts how many trails and vertical feet you've covered.
Accordingly, where in Paradise Regained the Son never loses God's favour, Samson Agonistes charts how a victim of temptation can reacquire it.
In Red Plenty, his magnificent novel-cum-history of the Soviet Union, Francis Spufford charts how the communist dream of building a better, fairer society fell apart.
In the lecture, he charts how its social concerns developed along his "writer's path," a personal trajectory with three distinct periods: aesthetic, metaphysical, and historical.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com