Sentence examples for charming study from inspiring English sources

Exact(4)

His face remains a charming study in tactlessness, lips pursed, brow rising and falling to a precisely calibrated transgression meter.

Augustus Vincent Tack's impressionistic "Seaside Scene" is a charming study of a young woman strolling along a bluff, from which she watches pleasure craft out for a sail.

Cutting through the pomp and circumstance is a charming study by Jean-Baptiste Greuze, of a bird pinned ever so gently between the plump hands of a young girl.

Among the 19th century oils, this writer was especially drawn to John H. Twachtman's "Horseshoe Falls, Niagara," a splendid evocation of the mist-shrouded cascade; Theodore Robinson's "Moonlight, Giverny," an atmospheric nocturne by an expatriate follower of Monet; Samuel Colman's charming study of an East Hampton farmyard; and the exquisite pair of Florida sunsets by Martin Johnson Heade.

Similar(56)

Her portraits of the first Hackett babies were charming studies of childhood.

Six restless pajama-clad sleepers rolled, clung and tumbled in Mr. Parsons's charming "Sleep Study" while a seventh sleeper slept through it all, including the curtain calls.

The interview was thrilling to listen to as it sounded so likely to derail at various points, but it was also a rather charming, complex study of close siblings.

Monet worked in the parks, while I, living in Lower Norwood, at that time a charming suburb, studied the effects of fog, snow, and springtime".

These led in the 1730s to a series of charming, tender studies of children, represented here by three of the most outstanding — "Girl with Shuttlecock," "Child with a Top" and "The Young Draughtsman" — which revealed Chardin's ability to depict innocence and freshness without sentimentalizing his juvenile subjects.

Although most are notes for landscape paintings or architectural studies, one charming, undated work by Carl Andreae (1823-1904) depicts five friends and colleagues at the German Archaeological Institute.

On its 1952 reissue, the book was described by music publisher Hubert J. Foss as "a work of art, a charming and penetrating study of a musical poet's mind".

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