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Recent studies have demonstrated that sexually selected characters do not need to exhibit positive allometry [ 36, 37].
The deaths of your characters do not need to be ultra-gory (although, they can be), but they should be frightening.
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This is a show that proves characters don't need to be likable, just compelling and watchable.
Sometimes characters don't need to be built up and plots don't need to be intricately written to the last diminutive component.
"How can I help being a humbug," chuckles Oz the not-so-great, "when all these people make me do things that everybody knows can't be done?" A self-help reading might observe that the characters don't need a wizard to give them brains, heart, or courage.
Chomet is such a skillful director that his characters don't need dialogue: They couldn't be more vivid if they did speak.
While the show isn't free of stereotypes - and while the dialogue periodically has missteps - I love it when female characters don't need men to rescue them, and Iris certainly is no wilting violet.
Your characters don't need to be human.
The situation's erotic character does not need pointing out: restraint, rather, will make it more exquisite.
Your character does not need to be perfect (in actions, appearance or personality).
Actually, I just never put in any expository material that one character doesn't need to tell another".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com