Sentence examples for characteristics mood from inspiring English sources

The demographic characteristics, mood ratings, and psychotropic medications taken by the patients were obtained.

Our specific objectives were: 1) to assess how primary care house officers rate their own health; and 2) to assess how self-rated health is related to demographic and residency characteristics, mood, and specific dimensions of spirituality and religiosity.

His most characteristic mood was that of the slightly detached, wryly observant, ironic and witty commentator.

Although there are a great many love poems, a fair few elegies and a generally frank response to everything under the sun, there is also a characteristic mood of something like (but not the same as) evasion in his poems.

"This singleness, this historyless aloneness," she writes of Updike's characteristic mood, "turns up in the essayistic aperçus and musings and final exhalations that thread through both plot and plotlessness, alongside the daily vernacular, between, so to speak, the acts".

Lawrence's famous nature descriptions are always grateful and attentive, and to read any biography of him is to understand how often this characteristic mood is the feeling of a convalescent restored to health.

Made in Rome or India, the small, illumination-like ink drawings reflect the influence of Eastern art and thought and already evince a characteristic mood of self-contemplation, whether languorous or anxious.

But if the film has an extraordinary presence, it is also — perhaps mainly — about transience and impermanence: Bergman sets key scenes at dawn and dusk, suggesting the implacable passage of time and subtly imposing his characteristic mood of foreboding and loss.

Collectively, these data confirm the relatively strong associations between bipolar disorder and gambling problems, suggesting that the characteristic mood disturbance of bipolar disorder can have a powerful role in the development and maintenance of gambling problems.

The second movement of the Quintet has the exuberance and passion, and the first movement the melancholy, that Enescu felt to be the most characteristic moods of Romanian folk-music.

By the time he composed what might have been his biggest essay in political engagement — the opera "We Come to the River," with a libretto by the English socialist playwright Edward Bond, produced at Covent Garden in 1976 — his musical interests had returned to his more characteristic moods of nostalgia, reverie, burlesque and erotic passion.