Sentence examples for characteristically focused from inspiring English sources

Mr. Fields was characteristically focused on Friday as he discussed another big product introduction crucial to Ford's future.

A very smart political mechanic and tactician, Mr. Emanuel has been characteristically focused during his campaign preamble.

The show provides a comprehensive look back at one of contemporary art's most distinguished careers; meanwhile, Mr. LeWitt remains characteristically focused on what lies ahead.

Youssef himself characteristically focused on the lighter side of his plight, arriving at court in a comically outsized version of a graduation hat worn by Morsi at a ceremony in Pakistan this month.

State parties extolled the common people in grandiloquent terms but characteristically focused on prosaic legislation that awarded bank charters or monopoly rights to construct transportation projects to favoured insiders.

These photons amplify their numbers further by bouncing back and forth between two mirrors, one of which is only partially silvered, which lets some of the light out in a characteristically focused beam.

Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis.

The finding that students with a " Sensing" preference tended to log in more frequently to both CAI is noteworthy because " Sensing" individuals characteristically focus on facts and conceptualizing through practical applications, which are traits consistent with the nature of both applications.

"A characteristically lucid, focused and beautifully-written argument.

Mr. Bell used his characteristically sweet, focused tone to breathe life into the long, florid lines of the Prelude and the Andante sostenuto, and he brought a vigorous but precise bowing style to the earthy, dancelike second movement and a sense of triumphant grandeur to the Allegro guerriero finale.

In Music and Sentiment he turns to the big subject of how music performs its miracles, but, characteristically, he focuses on a seemingly limited aspect of it: "how the change in representing sentiment in music was developed, and what it could mean for the conception of music".