Sentence examples for characteristic essence from inspiring English sources

It was, though, the D major sonata, D850, that revealed the characteristic essence of Schubert's piano writing, with Barenboim's mastery of tone, weight and touch turning the spotlight on details of this expansive work, which is playful, wistful and soaring by turns, almost as if Schubert was extemporising as he wrote his score.

Believing that philosophical terminology should have historical roots, Santayana employed classical terminology for these characteristics: matter, essence, spirit, and truth.

Existing fisheries information systems fail to fully capture the characteristics and essence of SSF, resulting in a lack of integrated and up-to-date data, which further marginalizes the sector in policymaking and governance.

(Essential oils are responsible for the characteristic odour, or "essence," of the plant from which they are obtained.) Myrcene and limonene, for example, are alkenes found in bayberry and lime oil, respectively.

Based on the analyzing the essence characteristic of mechanical vibration signal, more reasonable ideas on the algorithm design such as neighborhood selection and variation of weighting function during nonlocal means denoising for this task are proposed.

Deep learning is by learning a kind of deep nonlinear network structure and implementing complex function approximation, according to the characterization of the input data distributed, and in the case of sample set, the essence characteristic of the data set [63] is seldom studied.

"That characteristic is the essence of a despot".

Thus, this study presents a molecular dynamics simulation on the essence characteristics of nanoparticle motions in enhanced lubrication and friction process, in order to explain the nature and mechanism of nanofluids in enhanced lubrication and friction.

Semantics, definitions, and core characteristics aside: at essence, this collection is a spirit-lifting demonstration that many people are incapable of living 'life as usual' when this requires ignoring the social injustices suffered by others.

Scotus agrees with Thomas Aquinas that all our knowledge of God starts from creatures, and that as a result we can only prove the existence and nature of God by what the medievals call an argument quia (reasoning from effect to cause), not by an argument propter quid (reasoning from essence to characteristic).

This is one of the moments when the exhibition, designed by Tim Hatley, connects with the three characteristics that were the essence of Diaghilev: sight, sound and movement.