Sentence examples for changing backgrounds from inspiring English sources

There were four types of quartets, with 20 exemplars of each: 1) Old/Old: both an object and background are repeated four times without change 2) Old/New: an object is repeated four times against four changing backgrounds 3) New/Old: the object changes, but the background is repeated, and 4) New/New: both the object and background change.

Perhaps the defining moment for this interpretation was Jones's Duck Amuck (1953), in which an omnipotent animator torments Daffy by shuffling him between quickly changing backgrounds, dropping props in and out of the scene, and even briefly erasing him.

In the first case, based on the results presented in Tables 1, 2, and 3, the algorithm proposed for eye detection, face tracking, and eye tracking is shown to be robust and accurate for varying light, external illumination interference, vibrations, changing backgrounds, and facial orientations.

Understanding human behaviors based on video analysis calls for even greater challenges due to very large variations of human bodies and their motion activities under all kinds of contexts such as different viewing perspectives, dynamically changing backgrounds, dressing colors, changing human poses, human-human occlusions, and body parts self-occlusions.

Tchaikovsky uses "changing backgrounds" in a number of his pieces, varying accompaniments in rhythm, harmonization, counterpoint and timbre as he repeats the melody.

"The photo was taken at a Photography training workshop... this photo was an example of a technique I had learned in changing backgrounds..

McPhaden, M. J., Lee, T. & McClurg, D. El Niño and its relationship to changing background conditions in the tropical Pacific Ocean.

This includes both changing background pixels as Chandra dithers, as well as intrinsic flickering in the radiation-damaged CCD pixels.

"Out here, you can watch the changing views on the screen with the changing background," he says as a band called Marmalade opens for the movies.

Tim Hatley's design and Peter Mumford's lighting create a solidly realistic drawing room set against a fluid, glimmering, constantly changing background.

The Seventh Symphony is anchored on a grand theme for solo trombone, which sounds three times against a mercurially changing background.