The chairman of The Sound Agency adds that the more vocals, words, and changes in the piece of music, the more attention it will call for.
As Dzur describes, "democratic professionals are making real-world changes in their domains piece by piece, practice by practice... they are renovating and reconstructive schools, clinics, prisons and other seemingly inert bodies".
He's just written a scene in which someone meticulously counts out some change in halfpenny pieces, which went out of circulation in 1984.
Choosing recent work by artists who range in age from their 30s to their 80s, as if to suggest a continuity over time despite changes in fashions, the pieces emphasize a decidedly robust physicality that involves squeezing, drizzling, slathering and a bit of carpentry and that, over all, strikes a somewhat tragicomic chord.
All names have been changed in this piece.
Clearly this all fits in with the theme of change in the piece.
"And I get to make effective change in the piece, one scene, one moment, one lyric at a time".
Earlier this month, I wrote about Elena, whose name has been changed, in a piece for the magazine.
According to the Knowledge-in-Pieces perspective, conceptual change involves a gradual development of coherence that typically involves altering structured priorities (diSessa 1993) of relevant knowledge elements.
The best way to approach the changes is to take it in pieces.
