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Certainly they changed this writer.
Moving in with her boyfriend changed this writer's whole approach to money.
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But how has time changed the writer?
The vocabulary was not changed; the writers tell of killing "gooks" (a derogatory term for an Oriental), for example.
Perhaps it's as the novelist Ludmila Ulitskaya says: a writer can change reality, "but the reality also changes the writer".
Writing is a means of interaction with the world, and therefore it changes the writer.
The funny thing about writing is that it changes the writer.
Editors change writers because writers, at some level, want them to.
Mr. Holleran even began dating a man he met last year at a reading in Washington: a change for this writer, who said, "You grow used to liking loneliness". In "Grief" the narrator's mother, on her deathbed, asks him, "Are you homosexual?" It's the question Mr. Holleran's mother asked him at the end, and like his character, he didn't answer her and walked out of the room.
Another innovation of Ling's was to change the writers every six months, to prevent staleness.
When they disembarked in Nice, the area had changed... Writer found it impossible to sleep and at dawn it was clear that more than the trip was over.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com