Stockhausen's chamber quintet followed.
As the chamber quintet performed, the guests — many of them connected to the marijuana industry — inspected the art, pinned marijuana-leaf pins to their dresses and suit lapels, and talked about business in this new frontier of commerce.
Then the pair formed a typical 1950s cool-jazz trio with a partner of Konitz's from 50 years back, bassist Peter Ind, and finally a bespoke chamber quintet, who played some of his newer pieces in a kind of spontaneous classical manner.
The elder Mr. Wright, who was playing trumpet in a chamber music quintet, was drawn to the intricate mechanics and delicate melodies of the store's boxes, and he set about learning to repair and restore them as soon as he took the job.
Horn became well known in the mid-1950s when he played in Chico Hamilton's popular chamber-jazz quintet, notably in the 1957 film Sweet Smell of Success.
After studying at the Cleveland Institute of Music, Hall joined three quite different, adventurous, and acclaimed combos: Chico Hamilton's chamber-jazz quintet (1955 56), the subdued, rhythm-sectionless Jimmy Giuffre Three (1956 59), and the energetic Sonny Rollins Quartet (1961 62).
(Chinen) Buster Williams and Something More (Friday and Saturday) Mr. Williams's bass playing is the fulcrum but not necessarily the focus of this chamber-jazz quintet, with George Colligan on piano, Steve Wilson on alto and soprano saxophones and Matt Wilson (no relation) on drums.
September 21 , 1921Los Angeles, California November 25, 2013 New York City, New York Chico Hamilton Foreststorn Hamiltonn), (born Sept. 21, 1921, Los Angeles, Calif. died Nov. 25, 2013, New York, N.Y ., American jazz musician who played drums in a subtle swing-era-based style and led a chamber-jazz quintet that epitomized West Coast cool jazz in the 1950s.
(Chinen) BUSTER WILLIAMS AND SOMETHING MORE (Friday and Saturday) Mr. Williams's bass playing is the fulcrum but not the focus of this chamber-jazz quintet, with his longtime rhythm section partner Lenny White on drums, Steve Wilson on alto and soprano saxophones, and George Colligan on piano.
Below, listen to a clip of Hamilton's first, chamber-leaning quintet performing the contemplative piece, "The Wind".
The beauty of the performances owed as much to the sensitive chamber arrangements for quintet (Andy Einhorn on piano, Steve Kenyon on woodwinds, Sarah Seiver on cello, Bill Ellison on bass and Bruce Doctor on drums and percussion), as to the vocals.
