The phrase "challenging themes" is correct and usable in written English.
It can be used when discussing topics or subjects that are difficult to understand or deal with, often in literature, art, or social issues.
Example: "The novel explores several challenging themes, including identity, loss, and the struggle for acceptance."
Alternatives: "difficult subjects" or "complex topics."
The Academy is often accused of taking the soft option with foreign films, but in recent years it has proved open to challenging themes and forms.
And teenagers are by no means left out: the festival also offers FringeHigh (Saturday), shows recommended for adolescents, which tackle challenging themes.
And teenagers are by no means left out: the festival also offers FringeHigh, shows recommended for adolescents, which tackle challenging themes.
Other leading artists, such as Martin Creed and Tracey Emin, who established their careers with work on challenging themes, are now producing art that urges their public to think positive thoughts.
At the very least, Google the game they've asked for, or look up reviews (Metacritic is useful for this) – find out if there are any issues with the game: does it have challenging themes?
Even now, when graphic sex and challenging themes are hardly unusual, Delany's rapturous sexuality and his explorations of race within the trappings of science fiction have the power to startle.
To improve the titanium ceramic bonding is a challenged theme because the bonding plays an important role in long-term performance of dental prosthetic implants.
Three challenges themes were identified: facing the uncertainty of their loved one's illness, dealing with personal sufferings, and changing everyday life patterns.
In the pilot meta-scan the combination of technological push and social pull factors was concentrated in five challenge themes (Fig. 1) Open image in new window Fig. 1 Visualisation of the OECD Meta-Scan on the Next Production Revolution.
31 Related stories, statements, words and phrases related to participants' beliefs about CLBP were coded into common themes in NVivo and a back and forth process between data undertaken to substantiate or challenge identified themes.
Inspired by Ian Mahar's Kotaku article Nobody Wins When Horror Games Stigmatize Mental Illness, that challenged the themes and sentiment of horror game Outlast, Morris quickly set about planning a game jam that'd take Mahar's ideas one step further.
