Sentence examples for challenging installation from inspiring English sources

Exact(3)

In age in which the notion of "relatability" has become central to the discussion surrounding nearly every cultural object from a faux-viral video dreamt up by a team of in-house creatives at a chocolate bar manufacturer to a challenging installation work housed in a gallery-cum-vet surgery in Penge Sheeran is the most relatable artist of the lot.

Mr. VanDerBeek said that as the gallery was finishing the challenging installation of the show on Thursday afternoon, the tap dancers were also there, having their first rehearsal with their accompanist, a drummer.

Although there are similar conveyors in operation in other countries, the one at Ojamaa is an unusually challenging installation since its path contains many curves and sharp turns.

Similar(57)

Its officials did not have the necessary experience or training for dealing with the ever deeper and more technologically challenging installations they had to oversee.

For the mechanically challenged, installation is extra, around $150 at some electronics stores.

Bob Bostock, a former Nixon aide who designed the original Watergate exhibit and has been enlisted by the foundation to challenge the installation, filed a 132-page letter of objection to the archives last week, claiming that the exhibit lacked the context needed to help young visitors learning about Watergate to understand exactly what Nixon did.

There were no other legal grounds on which to challenge the installation, so the project continued, moving to different locations around Seville, reappearing with a swing, as a small flamenco stage and as a theatre set for a group of local kids.

Made up of frequently challenging, occasionally contradictory installations, the group exhibition has an ambitious goal: to inspire a "mind-shift" – a re-evaluation of our relationship to the planet and our fellow inhabitants.

Secondly, we have been challenged that the installation does not acknowledge the government position that the wall was built for security reasons to protect Israeli citizens.

The installation challenged visitors – whether carnivores, omnivores, vegetarians or vegans – to think about what eating meat means to them.

In talking to artists and art institutions, I realized too that the social extension of the art object has been challenging inherited methods of curatorship, installation, stage management, and community engagement and often requires a different kind of pragmatic expertise and production support.

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