Given a combination of the resources we had available and our positioning as an academic institution, the principal focus of the work was to use research and informed debate to challenge representations of sexuality and rights in the public domain.
Through this process, it was found to be possible to create a public space and dialogue on sexuality and rights in a conservative and challenging environment like Bangladesh by bringing together a diverse group of stakeholders to successfully challenge representations of sexuality in the public arena.
However, we found that it is possible to create a public space and dialogue on sexuality and rights in a conservative and challenging environment like Bangladesh by bringing together a diverse group of stakeholders – LGBT groups, research, academics, NGO professionals, health providers, journalists and policymakers – to successfully challenge representations of sexuality in the public arena.
Literally bringing wars waged by the United States throughout this long durée into the hyper commodified environment of fashion layouts and magazine advertisement, Rosler demonstrates the impossibility of limiting domestic space, an impossibility that challenges representation across genres and practices televisual, photographic, cinematic, social media, analogue, digital, etc.
Literally bringing wars waged by the United States throughout this long durée into the hyper commodified environment of fashion layouts and magazine advertisement, Rosler demonstrates the impossibility of limiting domestic space, an impossibility that challenges representation across genres and practicestelevisual, photographic, cinematic, social media, analogue, digital, etc.
It also addresses the following challenges: Representation of a set of valid configurations applicable at a given execution context, by means of feature model formalisms.
Shakespeare knew better than any other playwright to put the great theatrical challenge: the representation of the invisible.
The duo FAKA revels in male femininity, producing jarring images and sonic textures that challenge masculinist representations in queer culture.
Not only does the play challenge clichéd representations of black people, it's also an experimental work fusing music, movement, and magic.
For years Drinkwater has used art and performance to communicate her experience in a fat body, using humor and strength to challenge limited representations of bigger bodies and embolden fat positive visibility.
We speculate that this capacity may give people using social media the power to challenge dominant representations and discourses in cyberspace.
