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Certainly, Ida Lupino directed some terrific melodramas in the nineteen-fifties (but played a lead role in only one of them, "The Bigamist"), and then, of course, there's the meteoric case of Charles Laughton, who directed only one film, "The Night of the Hunter," but that one film suffices to propel him into the directorial pantheon.
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Pawlikowski has complained about critics who see the movie solely as a meditation on the Holocaust or Poland, and, of course, he's partially right, since "Ida" is certainly a story of identity; it's certainly a spiritual journey, too.
First, we certainly don't need Ida as the long-sought definitive support for evolutionary thinking.
Ida wondered.
Ida thought.
"Jesus, Ida.
Ida winced.
Ida Jolles, of Vienna.
Ida comes back safe.
Adele and Ida arrive.
Beloved husband of Ida.
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