Sentence examples for certain choreography from inspiring English sources

"We're hoping there will be a certain choreography of events but that things will overlap or intersect or happen.

But two hours later he said that the lead producer of the show, Michael Cohl, had spoken on Wednesday with the doctor — whom the production hired — and that the doctor had said, "It would not be a major problem if Natalie performed, so long as she took it easy, and certain choreography was altered".

Mr Cunningham continues to roll dice and flip coins to make certain choreography decisions, explaining that this helps him avoid cliché.For this new work, the choreography was set against an edgy soundscape of grinding guitars and industrial noise, composed and performed by John Paul Jones (formerly of Led Zeppelin), Takehisa Kosugi and Sonic Youth, a rock band.

When fans attend a performance by the Chicago rap stars Common or Kanye West (or, for that matter, the hip-hop princess Beyoncé or the neo-soul crooner Maxwell), they expect certain things: powerful choreography, glitzy peripherals like lights and props and the headliner on video screens in gigantic detail.

Since the score has no signature melodies or leit motifs, the task was to create certain lengths of choreography that would fit throughout the work's twenty-two minutes of unrelenting rhythm.

And it could be argued that, as artists clumsily experiment with this still relatively new fusion of projection visuals and choreography, certain foundational building blocks will be forged, only to be reused, remixed and repurposed by future artists.

Costumes, by kymkym, incorporate bits of plaid shopping bags and clear plastic; the fit doesn't always mesh with the frantic choreography, but certain silhouettes have promise.

"Not the more you raise your hand, the more something moves — that would require him to know certain rules and a choreography.

Despite all this variety, there is a certain sameness to the choreography (by Aaron Cash and Roclan González Chavez), which keeps hitting the same full-on, full-bodied pitch.

Adriane Lee's "Public" opened the program with three dancers punctuating sharp, angular lunges with windmill arms first to Erik Satie, later to Raymond Scott, whose electronic music lent the rabid choreography a certain frenzy.

But to this taste, despite the varied cultural backgrounds of the dancers — a point Mr. Maqoma stressed — there was a certain sameness to the choreography, full of twisting torsos and whipping arms.