A qualitative methodology based on individual interviews centred on critical incidents, focal groups and in situ questionnaires will be used to study the cross-cultural competences of the professionals.
The research presented in this paper is based on geographical zone chosen as context for a general discussion centred on a critical inventory of graves, burial places and funeral traditions within Neolithic communities between about 6000 and 2200 B.C.
A user-centred critical care discharge information pack (UCCDIP) containing 2 booklets; 1 for the patient (which included a personalised discharge summary) and 1 for the family, given prior to discharge to the ward.
This paper reports a RCT designed to (1) provide an initial evaluation of a user-centred critical care discharge information pack (UCCDIP), (2) inform decisions regarding its further development and evaluation, and (3) estimate the sample size required to power a definitive trial.
Ensuring that the bore was precisely centred was a particularly critical part of the casting process, and small wrought-iron fixtures called chaplets were used to hold the core precisely in place.
An example of application is presented, which centres on a critical safety-related equipment of a NPP in order to evaluate the risk impact of considering different approaches to APSA and the combined effect of equipment ageing and maintenance and testing alternatives along NPP design life.
In the present study the critical region was centred on the TPJ and extended superiorly into the supramarginal gyrus and anteriorly into the posterior STG.
Such form-critical studies were centred on the smaller units of tradition (pericopes) that make up the Gospels, and their intention was partly to assess relative age and authenticity of such traditions.
"Universities should be centres of critical scholarship, hassling governments".
For some decades after his death Aristotle's own school, the Peripatos or Lyceum, remained, in a truly Aristotelian spirit, a centre for critical research not for the dogmatic acceptance of a closed system.
In a recent piece full of affection for the Southbank Centre, but critical of the changes proposed in the restoration and development of the Festival Wing, Antony Gormley argues that we should keep faith with the original aims and architectural ideals of its creators, Ron Herron, Dennis Crompton and Warren Chalk.
