Sentence examples for centre frame from inspiring English sources

Exact(1)

In the first, it is she who is centre frame with her eyes straight to camera, wearing a surprisingly daring, barely-there dress from the Ralph & Russo autumn/winter '16 couture runway (the brand is the only British couture house to show on the prestigious Paris schedule).

Similar(59)

A poster on the wall at Zesh Rehman's apartment in Bradford city centre frames a quote from New York business guru Peter A Cohen.

The visual imagery employed became less complicated and less dense, though not less arresting, and "centre framing," which places images in the middle of the screen, became the norm.

We analyse Level 1b magnetic data3 that according to ESA nomenclature are called SW_OPER_MAGx_LR_1B (x = A, B, C) with file counter equal to 0405, in particular measurements rotated in the NEC (North-East-Centre) frame.

In detail, we consider the horizontal component of the magnetic field intensity in the NEC (North-East-Centre) frame (according to ESA nomenclature we use (SW_OPER_MAGx_LR_1B (x=A, B, C)) with file counter equal to 0405 and 0406).

Action often happened centre-frame in an almost theatrical style, making the TV screen more like a proscenium arch.

"There are a whole set of unresolved and genuinely frightening questions about the future of media, all of which seem to have the BBC either centre-frame or on the edge of frame..

Shot on 35-mm by Darius Khnondji, who seems to catch every dust mote in the diffuse lemony light, Magic in the Moonlight is Allen's most exquisite-looking movie in quite a while, conjuring a Wodehousian Eden of lawns and tennis courts, with Stone's pale-limbed Sophie set like a gem in centre-frame.

He took to the tableau approach and the off-centre framing like a duck to water, and we kept pushing it further and further.

His schtick – skewed angles, endless close-ups, off-centre framing – has already tripped into the realm of self-parody, but here it helps to offset what could have otherwise become a stuffy Sunday-evening television film.

The off-centre framing, in which much of the visual space is given over to blank areas of roof and sky, is more than a stylistic pose – it presses down on Ida, as if it was an extension of her consciousness, an attempt to break out of physical boundaries and limitations.

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