Sentence examples for catalogue refers from inspiring English sources

The Tate catalogue refers to it as a "tabula rasa", and this is correct, for it was an emptying out, of all the habits, tricks, skills, clutter and values associated with painting.

The exhibition catalogue refers to the French emperor as "seeking to use national sentiments for his own ends" and implies that it was the monarchical alliance that defeated him, and this was the true promoter of European co-operation and peace.Some French historians, however, are much less bashful about claiming Napoleon to the cause of European Unity.

"Play" in its pure, glee-spreading guise, though, is what one veteran purveyor of software and systems wholeheartedly specialises in – and its adaptation of "play", expressed through its current catalogue, refers to the source material that we've all had experience of, acknowledging better than anyone else the connection between physical and virtual play.

"Play" in its pure, glee-spreading guise, though, is what one veteran purveyor of software and systems wholeheartedly specializes in and its adaptation of "play," expressed through its current catalogue, refers to the source material that we've all had experience of, acknowledging better than anyone else the connection between physical and virtual play.

In our exhibition catalogue, Alondra Nelson refers to the seminal Star Trek episode "Plato's Stephchildren" (1968) featuring a kiss between Captain James T. Kirk and Lieutenant Uhura, the first interracial kiss on US television.

Even so his list is not general enough to catalogue all referring expressions.

The fine structure was found to match, almost, the comprehensive Ondrejov Catalogue which it refers to the spectral range 0.8 2 GHz, yet seems to produce similar fine structure with the metric range.

(The catalogue's lead essay refers to Mapplethorpe with the French word plasticien, which even more than artiste signifies a "fine artist," rather than a photographer).

She also refers to the catalogue from an exhibition at the National Museum of Women in the Arts, Washington DC, as her "bible".

With its rickety scaffolding and high platform above, and its vast lunette windows on wheels below, The Folding House conjures the tumbrels en route to the guillotine (though the catalogue, it should be said, refers to modernist architecture).

The M before a number refers to the catalogue of Charles Messier, while NGC is from the New General Catalogue by John Dreyer.