Slappy Squirrel is an aged cartoon star that would easily outwit antagonists and educate her nephew, Skippy Squirrel, about cartoon techniques.
Cartooning techniques such as motion lines and abstract symbols are often employed.
Combining editorial cartooning techniques with live-action-like sequences, the animation is considered McCay's most realistic effort; the intertitles emphasized that the film was a "historical record" of the event.
Through the popularity of animated cartoons, the techniques of animation have typically played a larger part in commercial cinema than other aspects of avant-garde filmmaking.
A method of tracing over live-action footage to create cartoon figures, the technique is cost efficient (Disney used it too when he needed to cut corners) but produces unsatisfying results.
The fail-safe response for Hollywood has been to depict racial prejudice in cartoon caricature, a technique that has made the Southern redneck a cinematic bad guy on par with Nazis, Arab terrorists and zombies.
A cartoon of the technique with proposed distributions into lymphoretricular structures is shown in Figure 5.
Lots of New Yorker cartoons use the technique.
Michael Hammer, the father of corporate "re-engineering", has on his wall an autographed original of a Dilbert cartoon that lampoons this technique.
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