Sentence examples for capacity of objects from inspiring English sources

Exact(1)

It can also partly account for the conflicting results of previous studies [11] [13] because it predicts that memory capacity of objects will decline as three or more attributes are involved.

Similar(59)

Badri and Toure ([2012]) explored the capacity of object-oriented metrics to predict the unit testing effort of classes using logistic regression analysis.

Note that while most sense perceptions are to be confirmed by subsequent perceptions or inferences, there is no infinite regress here: some perceptions e.g., those of very familiar objects or of the capacity of such objects to produce effects—need no subsequent confirmation.

Based on these results, we can say that there is evidence for two high-capacity stages in visual information processing: 1) iconic memory that is highly dependent on after-images of the shown image and does not seem to be limited in capacity (at least up to 32 objects), and 2) a fragile form of VSTM that at least exceeds a capacity of 10 objects on top of robust VSTM.

The extent to which the FD of an object may be greater than the topological dimension depends on the space filling capacity of the object.

It was associated with semantic capacity of design object and specificity of its visual organization.

Potentiality is the capacity of an object to pass from one state to another.

Heat Capacity of an object can be calculated by dividing the amount of heat energy supplied (E) by the corresponding change in temperature (T).

Thus, if you are asked, "What is the heat capacity of an object if it loses 50 Joules of energy and drops 5 degrees Celsius," you can still use our equation: Heat Capacity: 50J / 5C.

Posterior parietal and premotor regions play a crucial role in goal-directed visuospatial attention (Kanwisher & Wojciulik, 2000; Corbetta & Shulman, 2002; Pessoa et al., 2003) and have been identified as key regions of the capacity limit of object-based WM maintenance (Linden et al., 2003; Todd & Marois, 2004; Marois & Ivanoff, 2005; Xu & Chun, 2006; Mitchell & Cusack, 2008; Magen et al., 2009).

AFTER 35 years immersed in the world of computer music, the composer Paul Lansky talks with wonder about the enormous capacities of primitive objects carved from trees or stamped from metal sheets: violins, cellos, trumpets, pianos.

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