Can situated emotional responses to things be a valid source of knowledge about them (Diamond 1991, Jaggar 1989, Keller 1983, Pitts-Taylor 2013)?
Can "situated" knowledge as developed by analytic feminists capture both the individual subjectivity of human beings and the ways in which material conditions and complex social institutions structure the standpoints of women and others in marginalized groups?
At first it seemed a drawback, but if you know how to deal with it, that can situate you in a position of straddling that can be a strength.
As James points out, that writer can situate his work in any setting or period, whether or not it is familiar to him; in short, "a white male writer can write about Vikings".
— Macy Halford It's the rare intelligence that can situate John Stuart Mill, Adolf Hitler, and Betty Friedan on a single continuum of evil, but Benjamin Wiker has done just that in his new offering from the conservative imprint Regnery, "Ten Books That Screwed Up the World: And Five Others That Didn't Help".
By Macy Halford August 12 , 2008It's the rare intelligence that can situate John Stuart Mill, Adolf Hitler, and Betty Friedan on a single continuum of evil, but Benjamin Wiker has done just that in his new offering from the conservative imprint Regnery, "Ten Books That Screwed Up the World: And Five Others That Didn't Help".
A PBL driving question can situate a problem and motivate learners toward the self-directed learning required to propose a solution/learning artifact (Hmelo-Silver, 2004; Jonassen, 1997).
Over a wide range of wetting conditions and drop volumes, drops can situate far from a conical needle apex at equilibrium, which can hinder the effectiveness of the respective applications.
You can situate Angie's List somewhere at the intersection of local search, user-generated content and subscription-based services, and the company is keen to differentiate itself from other players in this space by not allowing anonymous postings and barring service providers from reviewing themselves.
He does, however, acknowledge that critics can serve the practical danceworld purpose of being intermediaries who can situate the dance in dance practice and history and who can "tell us what to look for, so that we can see the design in the work and discern the relation between work and performance" (1995, 339).
An unexpected phone call of such import can really throw you off (frankly, that's part of the agenda), and so I usually recommend that you ask the caller if you can situate yourself in a quiet spot and call back when you have paper and pencil in front of you.
