"camera language" is correct and usable in written English.
You can use it to refer to the instructions or commands sent to a camera by a computer or other device in order to control its operation. For example, "The programmer had to learn how to write camera language in order to program the robotic arm".
"People gravitate towards using their camera because language is really imperfect and difficult to construct," he says.
Just as adding features to a cellphone or camera can backfire, language is not always helpful.
This, Iannucci said to the camera, was the language of political spin, and operatives who employed such "meaningless nonsense" were "literally doing the Devil's work".
That strategy pays off in "Globus Hystericus" with lines like "an emanation/ willed into matter in a manner not unlike a brand-/new car or cream-filled cake or disposable camera". Donnelly's language can also, depending on your taste, become "the lump in my throat to keep me from saying that /surviving almost everything has felt like having killed it". Ducker is a critic in Los Angeles.
It contributes an almost peremptory silence to the near-camera heroics of language and gesture.
Sensors, cameras and natural language processing capabilities are starting to enable automated capture of vital measures, images and physician observations without detracting from the doctor-patient interaction or even requiring doctors to look away from the patients.
As you can see from these leaked press shots, first published by TheVerge, even the phone's design language says "Camera," from the huge, almost bezel-free display on the front to the overstated camera sensor on the middle of the Lumia 1020's backside.
Dabo says it's possible to build a cheap cellphone with N'Ko as its language, a camera and slots for two SIM cards — a necessity in Africa, where reception is often spotty.
Generally, though, most innovations in TV are tonal rather than structural: Channel 4's Peep Show and BBC3's Being Human are fundamentally flat-share sitcoms but are innovative in their attitude to character, language and camera angle.
We see the people in them stare implacably at the camera, but their body language and the surrounding domestic bric-a-brac reveal what they seem to try not to: the Smith family, for example, dispersed across the living room, each member struggling to look nonchalant, asserts individuality.
