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But, remarkably, the filmmaker makes the heavy camera dance, nowhere more gracefully than during Quell's erotic rapture in the department store, where he works as a portrait photographer, in the presence of a clothing model.
Yet just when we think the secret to Mr. Wheeler's success is busy, teeming adversarial music, he gives us his languid "Camera Dance" movement with its gently monotonous and wholly charming triple time.
The demands of the different directors require they act to camera, dance, clown, mime, affect anti-naturalism and deliver lyrical monologues – Bas Van Rijnsoever also sings, like an angel, accompanying himself on a broken guitar.
If there's any vestige of doubt about Berkeley's own ingenious visual music, here's his staging, from that film, of the Goodman band performing "Sing Sing Sing": note the crane shots that make the camera dance, the high angle on the drummer Gene Krupa and the trumpeter Harry James, and the presence of Krupa in the background even as Goodman solos.
Ellen Brown, senior in Dance and Psychology, titled her project "The Effects of Emotion in Dance Performance on Observers' Immediate Emotional State". Her final project, a few notes of mine, from Dance for the Camera (Dance 306s) has been chosen to be featured in the University of South Florida Dance Shorts: College Film Festival Gala.
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Scott Wheeler, a winner of the society's Stoeger Prize for composition, is on display with the Piano Trio No. 2 ("Camera Dances") a work from 1996, here revised.
The trio opened its program with Scott Wheeler's Trio No. 2, "Camera Dances" (1996-9), a four-movement study in spare textures and competing styles of rhythmic propulsion.
And the camera dances along with them, in situations of such carefully observed light as to make the results non-material — what makes them not dance-like is their weightlessness.
And the camera dances along with them, in situations of such carefully observed light as to make the results non-material what makes them non-material what their weightlessness.
Their program is ambitious and diverse, with two tough and contrasting pieces from the standard repertory -- the Ravel trio and the Schubert E flat -- and a newish piece called "Camera Dances" by Scott Wheeler.
The timid might start their search by clicking on to "Maya Deren" (54 entries) for articles, books and videos on that video pioneer, probably best known for her exquisite 1945 "Study in Choreography for Camera," danced by Talley Beatty.
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